{"id":3302,"date":"2026-03-24T17:23:43","date_gmt":"2026-03-24T16:23:43","guid":{"rendered":"https:\/\/kunstmarkt-kreuzberg.com\/?post_type=product&#038;p=3302"},"modified":"2026-04-15T08:14:19","modified_gmt":"2026-04-15T06:14:19","slug":"knockinon-heavens-door","status":"publish","type":"product","link":"https:\/\/kunstmarkt-kreuzberg.com\/fr\/product\/knockinon-heavens-door\/","title":{"rendered":"Knockin`on Heaven`s Door, Deutsches Plakat (1994)"},"content":{"rendered":"<p data-path-to-node=\"2\">Thomas Jahns <b data-path-to-node=\"2\" data-index-in-node=\"13\">Knockin\u2019 on Heaven\u2019s Door<\/b> Esta pel\u00edcula de 1997 es una mezcla tan trepidante como emotiva de road movie, comedia de acci\u00f3n y drama. La pel\u00edcula cuenta la historia de Martin (Til Schweiger) y Rudi (Jan Josef Liefers), que se conocen en una habitaci\u00f3n de hospital y descubren que ambos padecen una enfermedad terminal. Como Rudi nunca ha visto el mar, los dos no lo dudan ni un segundo, roban un Mercedes-Benz 230 SL azul claro y se ponen en camino hacia la costa.<\/p>\n<p data-path-to-node=\"3\">Avec sa bande originale marquante du groupe Selig, une galerie de personnages secondaires excentriques interpr\u00e9t\u00e9s par des acteurs de renom et le style visuel des films de gangsters modernes, cette \u0153uvre est devenue un v\u00e9ritable coup de c\u0153ur du public. Pour ses d\u00e9buts en tant que r\u00e9alisateur, Jahn parvient \u00e0 trouver un \u00e9quilibre entre humour absurde et profondeur m\u00e9lancolique, tandis que les protagonistes, lors de leur dernier voyage, fuient non seulement la police et les gangsters, mais sont surtout confront\u00e9s \u00e0 leur propre finitude.<\/p>\n<table data-path-to-node=\"6\">\n<thead>\n<tr>\n<td><strong>Merkmal<\/strong><\/td>\n<td><strong>D\u00e9tails<\/strong><\/td>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td><span data-path-to-node=\"6,1,0,0\"><b data-path-to-node=\"6,1,0,0\" data-index-in-node=\"0\">Type d'affiche \/ Taille<\/b><\/span><\/td>\n<td><span data-path-to-node=\"6,1,1,0\">Deutsches Plakat \u2014 59,4 cm x 84,1 cm, DIN A1<\/span><\/td>\n<\/tr>\n<tr>\n<td><span data-path-to-node=\"6,2,0,0\"><b data-path-to-node=\"6,2,0,0\" data-index-in-node=\"0\">Pays de production<\/b><\/span><\/td>\n<td><span data-path-to-node=\"6,2,1,0\">Allemagne<\/span><\/td>\n<\/tr>\n<tr>\n<td><span data-path-to-node=\"6,3,0,0\"><b data-path-to-node=\"6,3,0,0\" data-index-in-node=\"0\">Langue<\/b><\/span><\/td>\n<td><span data-path-to-node=\"6,3,1,0\">Allemand<\/span><\/td>\n<\/tr>\n<tr>\n<td><span data-path-to-node=\"6,4,0,0\"><b data-path-to-node=\"6,4,0,0\" data-index-in-node=\"0\">Premi\u00e8re<\/b><\/span><\/td>\n<td><span data-path-to-node=\"6,4,1,0\">20. Februar 1997<\/span><\/td>\n<\/tr>\n<tr>\n<td><span data-path-to-node=\"6,5,0,0\"><b data-path-to-node=\"6,5,0,0\" data-index-in-node=\"0\">Longueur<\/b><\/span><\/td>\n<td><span data-path-to-node=\"6,5,1,0\">89 Minuten<\/span><\/td>\n<\/tr>\n<tr>\n<td><span data-path-to-node=\"6,6,0,0\"><b data-path-to-node=\"6,6,0,0\" data-index-in-node=\"0\">Production<\/b><\/span><\/td>\n<td><span data-path-to-node=\"6,6,1,0\">Mr. Brown Entertainment \/ Buena Vista International, Filmstiftung NRW<\/span><\/td>\n<\/tr>\n<tr>\n<td><span data-path-to-node=\"6,7,0,0\"><b data-path-to-node=\"6,7,0,0\" data-index-in-node=\"0\">R\u00e9alisation<\/b><\/span><\/td>\n<td><span data-path-to-node=\"6,7,1,0\">Thomas Jahn<\/span><\/td>\n<\/tr>\n<tr>\n<td><span data-path-to-node=\"6,8,0,0\"><b data-path-to-node=\"6,8,0,0\" data-index-in-node=\"0\">Sc\u00e9nario<\/b><\/span><\/td>\n<td><span data-path-to-node=\"6,8,1,0\">Thomas Jahn, Til Schweiger<\/span><\/td>\n<\/tr>\n<tr>\n<td><span data-path-to-node=\"6,9,0,0\"><b data-path-to-node=\"6,9,0,0\" data-index-in-node=\"0\">Musique<\/b><\/span><\/td>\n<td><span data-path-to-node=\"6,9,1,0\">Selig, Franz Plasa<\/span><\/td>\n<\/tr>\n<tr>\n<td><span data-path-to-node=\"6,10,0,0\"><b data-path-to-node=\"6,10,0,0\" data-index-in-node=\"0\">Cam\u00e9ra<\/b><\/span><\/td>\n<td><span data-path-to-node=\"6,10,1,0\">Gero Steffen<\/span><\/td>\n<\/tr>\n<tr>\n<td><span data-path-to-node=\"6,11,0,0\"><b data-path-to-node=\"6,11,0,0\" data-index-in-node=\"0\">Coupe<\/b><\/span><\/td>\n<td><span data-path-to-node=\"6,11,1,0\">Alexander Berner<\/span><\/td>\n<\/tr>\n<tr>\n<td><span data-path-to-node=\"6,12,0,0\"><b data-path-to-node=\"6,12,0,0\" data-index-in-node=\"0\">Occupation<\/b><\/span><\/td>\n<td><span data-path-to-node=\"6,12,1,0\">Til Schweiger, Jan Josef Liefers, Thierry van Werveke, Moritz Bleibtreu, Cornelia Froboess, Rutger Hauer, Christiane Paul, Hannes Jaenicke, Jenny Elvers, Corinna Harfouch, Muriel Baumeister, Helen Duval, S\u00f6nke Wortmann<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>","protected":false},"excerpt":{"rendered":"<p><strong>Affiche allemande<br \/>\n<\/strong>Gr\u00f6\u00dfe 59,4 cm x 84,1 cm, DIN A1<br \/>\nca.170g\/m2<br \/>\nmat<\/p>","protected":false},"featured_media":3288,"template":"","meta":{"_acf_changed":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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