{"id":2540,"date":"2025-07-25T19:00:27","date_gmt":"2025-07-25T17:00:27","guid":{"rendered":"https:\/\/kunstmarkt-kreuzberg.com\/?post_type=product&#038;p=2540"},"modified":"2026-04-24T10:24:01","modified_gmt":"2026-04-24T08:24:01","slug":"der-stand-der-dinge-the-state-of-things-1982","status":"publish","type":"product","link":"https:\/\/kunstmarkt-kreuzberg.com\/en\/product\/the-state-of-things-the-state-of-things-1982\/","title":{"rendered":"Der Stand der Dinge (The State of Things) 1982"},"content":{"rendered":"<h3>Film description<\/h3>\n<p>Wim Wenders&#8216; in Schwarz-Wei\u00df gedrehtes Drama\u00a0&#8222;Der Stand der Dinge&#8220;\u00a0ist eine\u00a0metaphysische und selbstreflexive\u00a0An exploration of cinema, art, and the confrontation between European auteur cinema and the commercial Hollywood system. The film won the Golden Lion in Venice in 1982. The plot begins in a run-down, barren hotel on the Portuguese coast, where a small, international film crew is shooting a remake of a science fiction classic entitled\u00a0The Survivors\u00a0filming. However, in the middle of filming, they run out of\u00a0Filmmaterial aus\u00a0und der amerikanische Produzent\u00a0Gordon\u00a0(Allen Garfield) ist mit den Negativen spurlos verschwunden. Das Team, darunter der Regisseur\u00a0Friedrich Munro\u00a0(Patrick Bauchau) und der trinkfeste Kameramann (gespielt vom Regisseur\u00a0Samuel Fuller), ist zum\u00a0Warten\u00a0in der unwirtlichen, isolierten Umgebung verdammt. Die anf\u00e4ngliche Euphorie weicht rasch existenziellem Stillstand, Langeweile und philosophischen Diskussionen \u00fcber die Natur des Erz\u00e4hlens und die Beziehung zwischen Film und Realit\u00e4t. Als die Ungewissheit unertr\u00e4glich wird, reist Munro nach Los Angeles, um den verschwundenen Gordon zu suchen und die Fortsetzung seines Films zu erk\u00e4mpfen. In Los Angeles findet er Gordon, der sich in einem Wohnmobil vor der\u00a0Mafia\u00a0versteckt, der er Geld schuldet. Gordon argumentiert zynisch, dass Filme ohne Story (&#8222;A film without a story, that won&#8217;t hold up.&#8220;) keine Chance in Hollywood haben, w\u00e4hrend Munro die lyrische Kraft des Bildes verteidigt. Der Film kulminiert in einer\u00a0tragischen Konfrontation\u00a0zwischen den beiden M\u00e4nnern, die die unvers\u00f6hnliche Kluft zwischen Kunst und Kommerz symbolisiert. Munro wird aus dem Hinterhalt erschossen, w\u00e4hrend er versucht, die Szene mit seiner Super-8-Kamera festzuhalten \u2013 eine letzte, vergebliche Anstrengung, die Realit\u00e4t durch die Linse zu fassen.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<div>Size : 84 x 59 cm<\/div>\n<div>Premiere : 29 October 1982<\/div>\n<div>Length : 124 minutes<\/div>\n<div>Country of production : Germany, Portugal, USA<\/div>\n<div>Production : Chris Sievernich<\/div>\n<div>Language : English, French<\/div>\n<div>Director : Wim Wenders<\/div>\n<div>Screenplay : Robert Kramer, Wim Wenders<\/div>\n<div>Camera : Henri Alekan, Fred Murphy, Martin Sch\u00e4fer<\/div>\n<div>Music : J\u00fcrgen Knieper<\/div>\n<div>Editing : Barbara von Weitershausen<\/div>\n<div>Cast : Patrik Bauchau, Allen Garfirld, Isabelle Weingarten,<\/div>\n<div>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Rebecca Pauli, Roger Corman (Cameo)<\/div>","protected":false},"excerpt":{"rendered":"<p><strong>German Poster<\/strong> \u2014 <strong>59,4cm x 84,1cm, DIN A1<\/strong><\/p>\n<ul>\n<li>Druck auf Premiumpapier, 250 g, matt<\/li>\n<li>Maximum color brilliance and high UV resistance<\/li>\n<li>Securely packed (11 x 11 x 72 cm)<\/li>\n<\/ul>","protected":false},"featured_media":2737,"template":"","meta":{"_acf_changed":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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